"Cacophony
meets classicism in a mesmerizing instrumental venture into
the space age jungle. Boston-based quartet breaks new ground
without breaking eardrums." – Billboard
“Even
at its most dissonant and aggressive, this roiling, polyrthymic
music is informed by a wry, whimsical character rare in art
rock and entirely absent from the minimalism of Glass and Reich….Birdsongs
of the Mesozoic’s percussive, stroboscopic strain of minimalism,
with all its rocky edges intact.”
– Michael Draine, i/e
“…if
you’re open-minded enough to stack Fripp, Pere Ubu, Philip
Glass and John Cage in the same changes, then this disc may
appeal to you.”
– Don Labriola, Buzzz
Birdsongs
Of The Mesozoic began in 1980 as a side project by half of Boston's
famed rock band, Mission Of Burma: Roger Miller and Martin Swope.
Miller and Swope joined forces with Rick Scott and Erik Lindgren.
Perhaps because of their tie to the ever-popular Burma or perhaps
because of their sheer excellence Birdsongs Of The Mesozoic earned
international recognition for their innovative sound. The New
York Times called them "the world's hardest rocking chamber
music quartet." Their unlikely mix of rock, punk, classical,
minimalism, and free-form sound appealed to a broad range of musical
tastes. As Roger remembers in the liner notes, "If I had
to say what I thought was most unique about the band, it was that
we actually played rock clubs and basically pulled off this rather
unorthodox thing. Well sure, we pissed off some rockers (“Just
look at ’em up there, shuffling their papers!”), but
that wasn't really our concern. If this odd quartet wasn’t
about as different as you could get and still play those venues,
well at least we put up a pretty good fight." Rick Scott
comments, "We were always the square peg in a world of round
holes. Our instruments weren't bass, guitar, and drums, but guitar,
three keyboards, and drum machine (with turntable, water can,
washboard, and clarinet thrown in for good measure!). We played
in rock clubs, but read from sheet music. We shared the stage
with three-chord rockers, but played music from Brian Eno and
Igor Stravinsky, and covered the theme from 'Rocky and Bullwinkle'.
It boggles the mind how we got away with it."
For
the first time ever, all of the band's 3 recordings for Ace of
Hearts (Birdsongs of the Mesozoic, Magnetic Flip and Beat of the
Mesozoic) are reissued in their entirety and in the order in which
they were originally heard when they were first issued. In the
the words of Erik Lindgren, the remastering done here, "sonically
makes the 'Sonic Geology' package irrelevant." The package
comes with a 20 page booklet of notes and photos and there is
a huge wealth of totally cool CDRom material - 175 photos, art
files, set-lists, dioramas, letters, documents and more. Additionally,
there are two studio tracks and seven live tracks, none of which
have ever been heard before, for over 45' of bonus material.
“By the time Birdsongs of the Mesozoic’s first EP
was released, in 1983, Mission of Burma (of which Birdsongs keyboardist
Roger Miller and guitarist Martin Swope were charter members…)
had dissolved, and this band subsequently became a full-time gig.
…Very few bands have ever managed to straddle the worlds
of modern classical music and rock as successfully as this one
did. …Influences include Stravinsky, Steve Reich, and other
giants of modern classical music, [and] comparisons can also be
made to Frank Zappa and Raymond Scott: ‘serious’ musicians
don't follow up a suite of excerpts from ‘The Rite of Spring’
with an imaginative reworking of the theme from Rocky and Bullwinkle.
More importantly, this music quite often flat-out rocks.”
– All Music Guide