Birdsongs of the Mesozoic
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DAWN OF THE CYCADS - Birdsongs of the Mesozoic"Cacophony meets classicism in a mesmerizing instrumental venture into the space age jungle. Boston-based quartet breaks new ground without breaking eardrums." – Billboard

“Even at its most dissonant and aggressive, this roiling, polyrthymic music is informed by a wry, whimsical character rare in art rock and entirely absent from the minimalism of Glass and Reich….Birdsongs of the Mesozoic’s percussive, stroboscopic strain of minimalism, with all its rocky edges intact.”
– Michael Draine, i/e

“…if you’re open-minded enough to stack Fripp, Pere Ubu, Philip Glass and John Cage in the same changes, then this disc may appeal to you.”
– Don Labriola, Buzzz

Birdsongs Of The Mesozoic began in 1980 as a side project by half of Boston's famed rock band, Mission Of Burma: Roger Miller and Martin Swope. Miller and Swope joined forces with Rick Scott and Erik Lindgren. Perhaps because of their tie to the ever-popular Burma or perhaps because of their sheer excellence Birdsongs Of The Mesozoic earned international recognition for their innovative sound. The New York Times called them "the world's hardest rocking chamber music quartet." Their unlikely mix of rock, punk, classical, minimalism, and free-form sound appealed to a broad range of musical tastes. As Roger remembers in the liner notes, "If I had to say what I thought was most unique about the band, it was that we actually played rock clubs and basically pulled off this rather unorthodox thing. Well sure, we pissed off some rockers (“Just look at ’em up there, shuffling their papers!”), but that wasn't really our concern. If this odd quartet wasn’t about as different as you could get and still play those venues, well at least we put up a pretty good fight." Rick Scott comments, "We were always the square peg in a world of round holes. Our instruments weren't bass, guitar, and drums, but guitar, three keyboards, and drum machine (with turntable, water can, washboard, and clarinet thrown in for good measure!). We played in rock clubs, but read from sheet music. We shared the stage with three-chord rockers, but played music from Brian Eno and Igor Stravinsky, and covered the theme from 'Rocky and Bullwinkle'. It boggles the mind how we got away with it."

For the first time ever, all of the band's 3 recordings for Ace of Hearts (Birdsongs of the Mesozoic, Magnetic Flip and Beat of the Mesozoic) are reissued in their entirety and in the order in which they were originally heard when they were first issued. In the the words of Erik Lindgren, the remastering done here, "sonically makes the 'Sonic Geology' package irrelevant." The package comes with a 20 page booklet of notes and photos and there is a huge wealth of totally cool CDRom material - 175 photos, art files, set-lists, dioramas, letters, documents and more. Additionally, there are two studio tracks and seven live tracks, none of which have ever been heard before, for over 45' of bonus material.

“By the time Birdsongs of the Mesozoic’s first EP was released, in 1983, Mission of Burma (of which Birdsongs keyboardist Roger Miller and guitarist Martin Swope were charter members…) had dissolved, and this band subsequently became a full-time gig. …Very few bands have ever managed to straddle the worlds of modern classical music and rock as successfully as this one did. …Influences include Stravinsky, Steve Reich, and other giants of modern classical music, [and] comparisons can also be made to Frank Zappa and Raymond Scott: ‘serious’ musicians don't follow up a suite of excerpts from ‘The Rite of Spring’ with an imaginative reworking of the theme from Rocky and Bullwinkle. More importantly, this music quite often flat-out rocks.” – All Music Guide

Birdsongs Of The Mesozoic

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